by / March 30th, 2010 /

Hype: Steve Rachmad – Crawdaddy, Dublin

Subject presents:

HYPE at CrawDaddy
POD Complex, Harcourt St, Dublin 2
Friday May 28th 2010
STEVE RACHMAD [Sterac, Truesoul, Deslin – Amsterdam]
Joe Morrissey [Subject] & Guest // Doors 11pm
e15 – Advance tickets:

Steve Rachmad – An introduction…

Steve Rachmad is a Dutch techno producer, DJ and remixer. By many, he is
considered a father of Detroit techno in the Netherlands, respected in the
world of electronic music for his deep, groovy sounds that tend to rest on
impressive strings, melodies, funk and soul. His career has been reaching
its highest peaks from 1996 up to the present time. Yet, it is somewhat
less known that he has been in the music realms for over 25 years by now.

Steve’s life story starts in Amsterdam. At the age of 12, teenage Steve
already starts buying his first records: to mix, remix, and cut-and-paste
their parts with an open reel tape deck. In such a cut-and-paste fashion,
he presented his first release in the mid-1980s. Among these early
releases was also the one created for a hip-house/dance artist Tony Scott.

From that time on, Steve finds his inspiration in the 1980s dance and
electro, works of former Time members (Jimmy Jam and Terry Lewis), The
System, Arthur Baker, to name but a few. At the age of 15, he also starts
his DJing career with a disco set in a small Amsterdam club. Nevertheless,
his love for music urges him to start buying equipment, which would later
result in a professional studio that is, according to him, ‘everything he
ever dreamt of having.’ Today, his equipment is mainly analogue, providing
him with a chance to explore the realms of warm, alive, non-static sounds.
He laid the corner stone of this collection in 1985, by getting a TR-808.

A year later, Steve gets introduced to the house music. His attention is
captured by the new sounds echoing mostly from Detroit and Chicago, i.e.
by the work of artists such as Mr. Fingers and Derrick May. Following
their style, Steve’s own style takes a new direction. He is soon to be
found releasing for artists like Darren Emerson and Derrick May.

The incoming years are to be marked by numerous successful releases on
labels such as 100% Pure, Cocoon, Underwater, Fragile, M-Plant, Tresor,
and the recent years on labels as Sino, Delsin, Music Man, Artless, etc.
He also made over a hundred remixes, signed under various pseudonyms. He
remixed a variety of artists, from Taksi, Derrick May and John Tejada, to
Armand van Helden, Club MCM, Armin van Buuren, Seven Grand Housing
Authority, Victor Calderone and Basement Jaxx. Among Steve’s most
respected releases is certainly his album ‘Secret Life of Machines,’ which
came out in 1996 under his pseudonym Sterac, and is up to this date
considered as one of the all-time techno classics. About the same time his
DJing path starts rapidly evolving as well. Until today, Steve shares his
talent with the crowds all over the World. He occasionally spins disco and
electro, but mainly techno.

Of all the fictitious names he used throughout his career to sign his
productions, the ones that remained until today are Sterac, Sterac
Electronics, Ignacio and Parallel 9. In the later years, he also releases
more and more under his real name. The history of remixes continues into
the present, including a variety of people, such as M.A.N.D.Y. vs Booka
Shade, DK7, Clashing Egos, Sweet Coffee, Infinity (Juan Atkins vs Orlando
Voorn), etc. In the latest years, next to his characteristic techno sound,
he also actively focuses on electro, stripping it down to the old-school
feel. His Sterac Electronics remixes of the vocal track Love Sweet Love
(by Clashing Egos), Keep on Running (by Sweet Coffee) and Body Language
(by M.A.N.D.Y. vs Booka Shade), and his own ‘Keep on running’ and ‘Night
Heat’ releases on Music Man Records have ended up in the record bags of a
wide variety of artists, from techno, to minimal, house and electro. He
re-confirms his reputation as an artist with exquisite ear for technical
qualities of sound, always returning to his soulful roots and maintaining
the warmth of analogue-produced music.

Over the years, Steve lost the count of his productions and remixes.
However, he built an oeuvre that is without a doubt of a high magnitude:
both quality and quantity-wise. Unfortunately, his busy DJ schedule puts a
limit on the time he would like to spend in his studio. Yet, he strives
for the balance that would satisfy his enormous artistic appetite and
potential. His devotion to his dreams and inspirations drives him safely
into the successful future.